I'm eli roth.
我是伊莱·罗斯
I want to introduce you to nine uncategorizable films
我将向你介绍九部无法归类的电影
That pushed the boundaries of horror...
它们挑战了恐怖电影的极限
Nine films that tell us dark truths about society
九部电影揭示了社会与人类中
And ourselves.
最黑暗的秘密
Nine films filled with fear...
九部电影充满了恐惧...
And fun.
和趣味
Nine nightmares you'll never forget.
九部刻骨铭心的梦魇
翻译/制作：@黑路易
伊莱·罗斯的恐怖历史
九重梦魇
伊莱·罗斯
导演
Horror is the outlier genre of cinema.
恐怖片是电影界的边缘类型
Some people fear it.
有些人不敢看
Others don't respect it,
有些人不屑一顾
But that renegade status lets it go places
但这种不羁的状态使得它可以
No other genre can reach.
探索其他类型到不了的地方
Great horror films entertain us and provoke us.
优秀的恐怖片在娱乐的同时发人深省
They put society under a microscope...
将社会现象放在显微镜下...
Making us question not just what we fear...
不仅使我们质疑所惧之物...
But why we fear it.
还有恐惧的原因
And there's no better recent example
近代最好的例子莫过于
Than jordan peele's "us."
乔丹·皮尔的《我们》
In 2017, jordan released his first film, "get out,"
2017年,乔丹·皮尔的处女作《逃出绝命镇》上映
An oscar-winning commercial and critical hit
一部叫好又叫座的犀利之作
Satirizing racism in america.
嘲讽着美国的种族歧视问题
The armitages are so good to us.
阿米蒂奇一家对我们很好
What you experienced in your first movie is, like,
你在你的处女作中所经历的...
乔丹·皮尔
编剧/导演 代表作《我们》
To come up with the academy award,
能够获得奥斯卡奖
To make a movie that is, like,
想要拍出这样的电影...
Probably the most culturally significant horror film
可能是文化上最具代表性的恐怖片
Since "night of the living dead,"
自《活死人之夜》以来
And then you're like, "now I have to follow that up."
但然后你的下一部水平必须跟上
The expectations were a bitch.
观众的期待值太难搞了
As you know, you, like-you kind of have to say,
所以我必须要思考
"okay, well what got me here in the first place?"
“在前作里是什么使我成功了? ”
Looking at "get out" and imagining
反复琢磨着《逃出绝命镇》
What people are expecting.
猜测观众们在期待什么
导演：乔丹·皮尔
《我们》(2019)
If I can kind of start to understand or pinpoint
如果我能理解或定位出
What I think people are expecting,
观众们所期待的点
I can start to plot how to subvert that.
这样我才能计划好如何设置反转
There is a black family vacationing in santa cruz
一家在圣克鲁斯夏日别墅度假的
At their summer home,
黑人家庭
Basically the only black family you can see
基本上是那片海滩上唯一的
On this beach.
黑人家庭
So it speaks to isolation almost immediately.
所以几乎是一开始就被隔绝了
And over the course of a normal evening, the young son, jason,
然后在寻常的一晚,小儿子杰森
Realizes there's a family standing outside.
发现外面站着一家人
And once the family breaks into the house,
当这一家人闯进家里
We realize these are doppelgangers,
我们才意识到这些是二重身
That everyone who's broken into the house
闯进家里的每一个人
Is a mirror image of this family.
都是这家人的一种镜像
You know, I think both films, in a strange way,
我认为两部电影在某些层面
Are about losing your identity and sort of who you are--
讲的都是失去了自己的身份或为人...
Like, what the external world sees
关于外部世界看到的你
And what you are on the inside.
和内心深处真正的你
Both of these movies became clear to me
这两部电影的架构成型时
When I decided to be vulnerable
是我决定要敞开心扉
And--and--and look--look within.
并且...并且直面自我时
Asked myself what really scares me,
质问自己恐惧之源何在
Asked myself what I'm not ready to face.
质问自己最怕面对什么
What are you people?
你们是什么人?
Which felt related to what we're not ready to face.
跟我们这个群体害怕面对的相关
we're americans.
我们是美国人
What would it be like to see someone
如果遇到一个跟你一模一样的人
Who looked exactly like you?
会是什么样子?
Who is that person? What does that mean?
那个人是谁? 这意味着什么?
Are they taking something away from you,
是他们要夺走你的什么
Or are you taking something away from them?
还是说你从他们那里夺走了什么?
run!
快跑!
At first,
起初
The film seems to be about one family in peril...
电影看似讲述了陷入危险的一家人...
Then we discover
之后我们发现
Everyone has a doppelganger living underground,
每个人都有一个住在地下的二重身
Invisibly tethered to their counterparts on the surface.
由无形的羁绊与地表的另一半相连
Now, our tethered twins have emerged
而现在,我们的二重身已经现身
To murder us.
并要杀死我们
I remember you telling me after we shot last year
还记得去年录制时你告诉我
That you were gonna go shoot something
你想要拍摄一些感觉像...
That felt like "lost boys."
《捉鬼小精灵》的片段
导演：乔·舒马赫
《捉鬼小精灵》(1987)
Yeah, we're in the same place--
没错,我们就在同一个地方
Santa cruz boardwalk-the exact same location.
圣克鲁斯海滨路,完全一样的地点
Did you hear the line about "lost boys" in there?
你记得那句《捉鬼小精灵》的台词吗?
You know, they're filming something about a carousel.
据说旋转木马那边在拍电影
You should see if they're looking for extras.
你可以看看需不需要群演
But I always thought this idea of "lost boys"--
但我一直觉得《捉鬼小精灵》这个想法...
That there's a monster up here,
上面是一个怪物
And so I thought, with that same location,
然后我想,在相同的位置
What if there's a monster underneath as well?
如果在地下还有一只怪物呢?
Mm-hmm. On the opposite side.
在对立的两边
they created the tethered
听他们创造了“羁绊”
So they could use them to control the ones above.
于是他们可以以此控制地面上的人
Like puppets.
像傀儡一样
I was thinking about, uh, incarceration.
我所想到的是...监禁
I was thinking about class. Mm-hmm.
我所想到的是阶级
I--I was thinking about the term "us and them,"
我所想到的是“我们与他们”
The--the idea of "us and them"
“我们与他们”的这个想法
And the--the--the division
还有...那种割裂
When--when you sort of identify an "us."
在定义出“我们”的时候
You create a "them." you create an other.
你就定义了“他们”,创造出一个他者
Don't waste your strength. Don't try to fight it.
别白费力气了,不要抗争
You can't stop the inevitable.
你这样做是徒劳的
Much like "get out,"
同《逃出绝命镇》一样
This is a--a systemic monster we're dealing with.
我们所探讨的是一个体制性的暴行
It really does appear to be,
这部电影其实是
On a fairly straightforward level,
利用了非常直白的方式
A story about the haves and the have-nots.
讲述的是什么都有的人和什么都没有的人
Sort of existing with a privilege
这种带有特权的存在
And--and a privilege that many of us enjoy
还有我们很多人享受的特权
Is a violent act.
本身就是一种暴行
And that's--that's the central theme of "us,"
这就是《我们》的中心主题
Is this idea that,
这个主题就是
When we look at the mirror,
当我们看向镜中人
Both individually and collectively,
无论是个人还是集体
We might realize, well,
我们会发现
It's not as simple as, "I'm the good guy."
并不像“我是好人”这样单纯
You know, we're all part of a system.
我们都是系统的一部分
There's a story behind everything we enjoy.
我们每一种享受背后都有一个故事
There's a factory. There's a--a line.
都有一个工厂,一条生产线
There's--there's somebody working overtime,
总有人在加班加点工作
You know, to--to try to make us happy
让我们能够享乐
If we can afford it.
如果我们买得起
Our little pleasures are coming
我们的玩乐来源于
At the cost of invisible people
一些个人的牺牲
That we really don't want to acknowledge or see
这些是我们不想知道和看见的
Because it's inconvenient.
因为这会让人为难
The family at the center of the film
电影中心的这家人
Are better equipped to handle the tethered
应对“羁绊”的方式要强过
Than most horror film protagonists...
其他恐怖电影的主角...
Partly because, as black people in america,
原因之一在于作为美国黑人
They are always on guard.
他们永远放不下戒心
Let's make some traps or something,
我们设几个陷阱之类的吧
Like some "home alone"-type stuff.
《小鬼当家》里那种机关
That way if she comes--
那样如果她来了...
Tell me you did not just reference "home alone."
这时候你居然还在想《小鬼当家》
Well, having a black protagonist
如果一部恐怖电影
In--in a horror movie,
主角是黑人
As a writer, is a trap
这就是编剧的陷阱题
Because you can't have them do the stupid response.
因为你不能让他们做出愚蠢的反应
They have the upper hand.
他们占了先机的情况下
This is the time to run,
我们应该逃跑
Not to be sprinkling micro machines on the floor.
而不是往地板上丢模型车
What are micro machines?
啥是模型车?
What's "home alone"?
啥是《小鬼当家》?
It's--it's partly a satirical comment,
里面是由讽刺的成分
But partly very grounded in real--real life.
但也是非常贴合现实生活的
This country is--is a--
乡村生活是...
Is a horror show...
对黑人来说...
Yeah. For black people, you know?
就是一场恐怖秀,懂吗?
This is-we're in a horror movie.
我们身处于一部恐怖电影
I try and access
我尝试着去
What I'm actually afraid of or what I'm--you know.
联系我真正惧怕的事物...
And that--part of the process of making these movies,
在制作这些电影的过程中
I swear, I kind--I-I overcome my fear.
我发誓我...战胜了我的恐惧
Race and class divisions
种族与阶级分裂
Can turn everyday lives into horror movies,
能够让日常生活秒变恐怖片
But what about people
但是那些
In the most privileged position in society?
社会中最顶层的人士们呢?
What nightmares stalk the ruling class?
统治阶级的人又有哪些噩梦?
In the year 2000,
在2000年
Christian bale gave an unforgettable performance
克里斯蒂安·贝尔作为反英雄主角
As the antihero of "american psycho"...
在《美国精神病人》中献上难忘的表现
A dark satire of human behavior
一则对身处经济金字塔顶端的人们
At the top of the economic ladder.
为人处世的黑暗讽刺
玛丽·哈伦
导演 代表作《美国精神病人》
"american psycho,"
《美国精神病人》
Based on the notorious novel by bret easton ellis,
改编自B·E·埃利斯声名狼藉的小说
Is about a young, wealthy businessman
故事讲述一个年轻富有的商人
Who seems to have a perfect life.
看似拥有完美的人生
I work on wall street.
我在华尔街工作
So he's, uh, very handsome;
他非常英俊
He has a perfect apartment;
住在一座完美的公寓里
He has a-you know, a high-paying job.
还有一份高薪工作
So it's about someone
所以故事讲的是
Whose life is full of perfect surfaces
一个有着完美表象的人
And who is so filled with, sort of, rage and emptiness
他心中却充满了愤怒与空虚
That he disembowels young women.
以致使他将年轻女人开肠破肚
I like to dissect girls.
我喜欢去剖析女孩们
Did you know I'm utterly insane?
你知道我的精神完全错乱吗?
Uh, great tan, marcus.
肤色不错,马库斯
I mean, really impressive.
非常让人佩服
Where do you tan? Salon.
- 你在哪晒的? - 美容沙龙
"american psycho" is one of the best satires of all time.
《美国精神病人》是史上最棒的讽刺故事
You can always be thinner, look better.
你永远能够更瘦,更漂亮
To me, it really, really caught what the '90s was about.
对我来说电影完全抓住了90年代的精髓
Suddenly, metrosexuality came in
突然之间出现的商务型美男
And men became obsessive with grooming products,
男性们开始痴迷于自身保养
Skin care, waxing, tanning booths.
护肤,脱毛,紫外美黑
What beautiful skin you have, mr. Bateman.
您的皮肤真好,贝特曼先生
And what suits you were wearing,
你身上穿的衣服
The kind of explosion in fashion and commerce
突然爆发的时尚与商务之流
And restaurants and status.
还有高档餐厅和地位象征
It was just this wall street world.
成为了一个华尔街当道的世界
Gene, great jacket. Matsuda?
吉恩,外套不错,是松田吗?
Valentino couture.
华伦天奴
It's really a satire of consumerism...
真的是对消费主义的讽刺
Where did you get that overnight bag?
那个手袋是哪里买的?
jean paul gautier.
让·保罗·高提耶
You know, american vulture capitalism
在二十世纪末
At the end of the 20th century.
美国秃鹫一般的资本主义
And it's all expressed in this person who looks good,
都表现在这个外表光鲜亮丽
But is actually a monster.
内心禽兽不如的人身上
I guess you could say
我猜你可以说
I just want to have meaningful relationship
我只对有意义的关系感兴趣
With someone special.
与有意义的人一起
I wanted bateman to be the object of fear.
我想让贝特曼成为被恐惧的对象
When christian and I were in preparation
克里斯蒂安和我为《美国精神病人》
For "american psycho,"
做准备工作时
We talked about him as being like a--a martian--
我们探讨过让他表现得像个火星人...
Someone from another planet
像是一个外星来的人
Who doesn't know how to be a human being.
不知道如何成为一个人类
So when bateman's going to have sex with someone,
所以在贝特曼想与别人做爱之前
He watches a porno movie.
他会去看色情电影
If he's gonna, uh, commit a murder,
如果他要去实施谋杀
He's gonna watch a--a famous horror movie.
他回去看一部有名的恐怖电影
The fact that it was directed by a woman, I think,
电影由一名女性导演执导
Was such an interesting counterbalance to the book.
是对原著一个非常有趣的平衡
Even though he's doing all of these crazy things,
尽管他做了那么多疯狂的事
There isn't this misogynist,
但电影中并没有任何
Anti-woman, kind of gross tone about the movie.
厌女,反对女性或某种厌恶的基调
Jean?
简?
Sorbet?
吃雪糕吗?
When we were filming "american psycho,"
在我们拍摄《美国精神病人》时
I realized that
我意识到
The fear a woman has of going on a date
女性那种对于赴约的恐惧
Or going to a guy's apartment and something bad happening
或者去到某个人公寓然后遭遇不幸
Or him suddenly transforming
或者那个人突然
From one kind of person into another
变了一幅面孔的恐惧
Is-is a very strong female fear.
是一种非常强烈的女性恐惧
Can we go now?
我们可以走了吗?
We're not through yet.
我们还没完事
Movies are a way of exploring those fears.
电影是探索这些恐惧的方式之一
We don't want to admit it, but all of us--
我们不想承认,但我们...
There's a part of us that is like patrick bateman,
我们之中的一部分人像帕特里克·贝特曼一样
That is obsessive, that wants things.
非常执着,有很多追求
It's like this personification of all the greed
就像是一切贪婪...
And the vanity and the consumption
虚荣和消费主义的人格化
And the vapidness--
如此枯燥无味...
All the stuff that we suppress;
还有我们一直压抑的感情
That we say we don't have;
假装它们不存在
That we say, "that's just other people";
假装“那只是某些人才有”
It's all reflected in patrick bateman,
这都能在贝特曼身上看到
But we're watching him
但我们在观察他
And there is a part of him that's in all of us.
我们身上或多或少都有他的一部分
I...
我...
Just have to kill a lot of people!
我必须得杀很多人!
And um...
然后...
I'm not sure I'm gonna get away with it this time.
我不知道自己这次还能不能逃脱
He's not punished at the end,
最终他也没有被惩罚
So you're not giving the audience that satisfaction,
所以观众事实上没有得到...
Actually.
那种满足
But I felt like the--
但我认为...
The satirical and also of the moral point
B·E·埃利斯书里的
Of bret easton ellis's book
讽刺和道德观点
Was that he wouldn't get found out
就在于他不会被抓
Because society didn't care to find him out.
因为这个社会不在乎要抓到他
I chopped allen's (bleep) head off.
我把艾伦的脑袋砍掉了
The whole message I left on your machine was true.
我在你答录机上留的消息是认真的
Excuse me. I really must be going now.
失陪一下,我必须得走了
Society just didn't care
这个社会不在乎
As long as he conformed to the perfect, you know,
只要他还服从于这个...
Surfaces and perfect, uh, stereotypes
金玉其外的刻板形象
Of--of the successful businessman.
这种成功商业人士的形象
No one would bother.
没有人会在乎
This confession has meant nothing.
这段忏悔没有任何意义
Faced with the emptiness of consumer culture,
面对着消费文化的空洞
Many turned to the spiritual comforts of religion.
许多人转而投向宗教信仰的怀抱
...Accursed!
...遭诅咒的!
But there can be a fine line
但宗教与邪教之间的界限
Between a religion and a death cult.
可能是非常模糊的
No! No!
不! 不!
Most religions teach the way of peace,
大部分宗教让人找到内心的平静
Yet religious differences have led
但信仰上的不同
To an almost unthinkable amount of bloodshed.
可能导致难以想象的血光之灾
He brought you up to be a pagan.
他让你成为了异教徒
This paradox is at the heart
这种悖论是两部...
Of two films about faith...
关于信仰电影的核心...
"midsommar" from 2019...
2019年的《仲夏夜惊魂》
And "the wicker man"...
和1973年的...
From 1973.
《柳条人》
伊莱·罗斯
导演
"the wicker man" has the reputation
《柳条人》被称为
For being the greatest british horror film of all time.
历史上最伟大的英国恐怖电影
It was one of those movies I didn't see until late in life
也是我人生中很晚才接触的一部电影
Because I would look at the video box and go,
因为我看到录像带盒子会觉得
"what's scary about a wicker man?"
“一个柳条人有什么好怕的? ”
Oh, god! Oh, jesus christ!
哦天啊! 上帝啊!
I finally saw it,
最终我看完
And it's one of those movies that changed my life.
这成为了改变我人生的电影之一
[organ playing hymn] all: ♪ in pastures green ♪
♪ 牧场绿野上 ♪
♪ he leadeth me ♪
♪ 天父治愈我 ♪
《Fangoria》杂志主编(1985-2010)
It has to do with christianity versus paganism.
这涉及到基督教与异教的关系
A police inspector is sent
一名警探被派往
To this remote isle of summerisle
一个偏远的夏日小岛
To investigate the disappearance of a young girl.
来调查一名年轻女孩的失踪案
rowan morrison.
罗温·莫里森
And he's this repressed, uh, christian
他自己是一名克制的基督教徒
Coming to grips with this society
遇到这个与他
That is the total opposite of everything he believes in.
一切信仰背道而驰的社会
I find degeneracy, and there is brawling in bars.
我发现堕落行为,酒吧里也有斗殴。
There is indecency in public places.
公共场合下还有不得体行为
Open sex and wild dancing
在野外做爱和跳舞
And all this uninhibited craziness that he's not used to
所有这些他无法接受的疯狂之举
And he has a hard time adjusting to that.
让他花费很久时间适应
Can I do anything for you, sergeant?
我能为您做些什么吗,警长?
Oh, I doubt it... Seeing you're all raving mad.
我不觉得...你们真是疯了
And the fun of the film
电影的乐趣还在于
Is watching him getting taken down a notch or two.
看警长逐渐不那么紧绷了
They do love their divinity lessons.
她们还真是喜爱上神学课
But they--they are-are naked.
但是...但是她们赤身裸体
Naturally.
那是自然
It's much too dangerous
穿着衣服去
To jump through the fire with your clothes on.
在篝火边跳舞也太危险了
乔·丹特
导演 代表作《小精灵》
Oh, christopher lee did that picture for almost no money
克里斯托弗·李演这部戏几乎没拿片酬
Because he liked the part so much.
因为他非常喜欢那个角色
And I think it was his favorite part
我认为这是他演艺生涯中
Of anything he'd ever done.
最喜欢的角色
It's a truly weird, pagan, fascinating movie.
这是一部诡丽,令人着迷的异教徒电影
It's almost a musical.
几乎是一部音乐剧了
I mean, it's got all these paul giovanni songs.
里面有那么多保罗·乔瓦尼的歌
♪ she took the tinker ♪
♪ 她拉起了 ♪
♪ by the hand ♪
♪ 仙子的手 ♪
They created a score
他们创造出一种
That are folk songs integral to this island
民谣一样的配乐补完了这个小岛上
To tell the story
关于他们的
Of their religion and their culture.
宗教信仰与文化的故事
Together: ♪ for patching ♪
♪ 修修补补 ♪
♪ and plugging is his delight ♪
♪ 都随他愿意 ♪
The lyrics of these songs are so--
这些民谣的歌词非常...
Everything's a double entendre and everything's sexual.
每句话都是带性暗示的双关
And it's a very, very subversive, sexual movie.
这也是一部充满性暗示的电影
This police officer is unwittingly being led,
这名警官也不知不觉中被引导
Thinking he's on an investigation,
以为自己是在调查案件
Thinking he's gonna catch the killer of a little girl,
以为自己就要抓到杀死小女孩的凶手
Until he realizes
直到他发现
That he's been a sucker this entire time.
自己一直以来都被蒙在鼓里
It's about faith
这是关于信仰
And how faith doesn't really pan out for you.
和信仰没有灵验的故事
There is no sun god!
没有什么太阳神!
There is no... Goddess of the fields!
没有什么...绿野女神!
I wouldn't say it's on the side of the pagans,
虽然不算是站在异教徒的角度
But it certainly comes close,
但是也差不多了
Because as devout as the hero is,
因为男主角无论多虔诚
It doesn't save him.
他的神都没有救他
No! No! Think!
不要! 不要!
Just think what you're doing!
想想你们在做什么!
Think what you're doing! Think!
想想你们在做什么!
The reason "the wicker man" has such staying power is
《柳条人》能给人如此强大的后劲
You look at this cult
是因为这个邪教
That believes that burning and sacrificing a virgin
相信烧死一个处子来献祭
Is going to bring back the crops.
就能让庄稼重新丰收
That makes perfect sense to them.
这对他们来说完全合理
Pagans:♪ summer is a-comin' in ♪
♪ 夏日就要到来 ♪
To this other person, it's absolutely insane
而对这个人来说这完全是疯了
Because everything he believes
因为他相信的一切都是
Is from a christian perspective...
从一个基督徒的视角出发的...
Pagans:♪ and blows the mead ♪
♪ 喝干蜂蜜酒 ♪
And these are coming from a pagan perspective.
而这些都是从异教徒的视角
What is totally normal to one person
对一个人来说再平常不过的事
Is absolutely terrifying to another,
对另一个人来说可能骇人听闻
And I think there's something very real about that.
我认为这其中有非常真实的成分
导演：伊莱·罗斯
《人皮客栈》(2006)
The culture clash captured by "the wicker man"
《柳条人》中表现的文化冲击
Was a big influence on my film "hostel."
强烈影响了我的电影《人皮客栈》
So I visually paid tribute to it.
于是我在视觉上进行了致敬
And you can see elements of both films
同样的元素也可以出现在
In ari aster's "midsommar."
阿里·艾斯特的电影《仲夏夜惊魂》中
In the wake of a devastating loss,
在痛失家人的悲剧之后
A young woman joins her self-absorbed boyfriend
一个年轻女孩与她独断专行的男友
And his fellow grad students
跟几名研究生一道
On a trip to the swedish countryside.
踏上了去往瑞典乡野的旅行
They've been invited to witness
他们被邀请去参观
An annual folk celebration.
一场每年一次的民间庆典
阿里·艾斯特
编剧/导演 代表作《仲夏夜惊魂》
The writing of "midsommar" was pretty therapeutic.
写作《仲夏夜惊魂》的过程还挺治愈的
I was going through a breakup and was looking for, uh,
我当时正经历一场分手,想要...
Kind of an angle on a breakup movie.
为一部讲述分手的电影寻找突破口
What's, like, the evil version of that?
如果有邪恶版本会是什么样?
The students enter what at first appears to be
几个学生来到了起初看似平和
A peaceful community of nature-worshipping pagans.
崇尚自然的宁静的教徒社区
I love that it is, like "the wicker man,"
我很喜欢这里和《柳条人》一样
Set in this isolated, very homogenous community
设定发生在这个社区里
That is supposed to signify safety...
这里本应是安逸的象征...
And then have it completely turn around.
但很快完全反转了
No! No!
不! 不要!
The americans are trying to be cool,
这些美国人想要装作没事
And they want to be open and they want to embrace it
他们想要开放地接受这一切
And they want to understand it
也想理解这一切
And they don't quite get what's going on.
但他们并没搞懂发生的事
What's going on?
发生什么了?
But they get caught up in the ritual
但他们被卷入了祭典中
And the pomp and the circumstance
在这个盛大的仪式中
And they don't want to offend the culture
他们并不想冒犯这些传统
And, you know, they wind up paying the price for it.
于是最终他们为此付出了代价
The film's protagonist is gradually drawn
电影的主角逐渐被这个...
Into what turns out to be a death cult...
死亡邪教所吸引,并发现...
And the other travelers are ritual sacrifices.
其他同行者都被杀死做成了祭品
She ends up finding, in this community,
而她最终发现在这个社区里
What might be a home.
也许找到了归宿
You are the family now, yes?
你现在是家人了,对吗?
Yes, you are the family!
是的,你是家人了!
And of course,
当然了
The irony is that they are a eugenicist community
讽刺就在于这是一个主张人种优化的
Of murderers.
杀人社区
But they're also much more empathic,
但他们也更有同理心
They're--they're much more compassionate.
他们有着更充足的热情
And that's why people join cults.
这也是为什么人们加入邪教
People don't join cults because they want to be mass murderers.
人们不是因为想杀人而加入邪教
They join cults because they need connection.
而是为了寻找与他人的联系
"midsommar" was a slow-burn film
《仲夏夜惊魂》是一部慢热的电影
That built to a fiery conclusion.
最终走向炽热的结局
But horror can also go way over the top to make a point.
但为了阐明观点,恐怖片可以非常夸张
导演：英格玛·伯格曼
《处女泉》(1980)
When you think of a morality tale,
每当想到伦理故事
You might picture something like this.
你也许会想到这种故事
感谢主赐予我们日常饮食,阿门
Amen.
阿门
导演：乔治·A·罗梅罗
《鬼作秀》(1982)
I hope you rot in hell.
我希望你烂在地狱
But in horror,
但在恐怖片中
Stories about suffering terrible consequences
关于自食苦果的故事
For your poor behavior can be scary and fun,
也可以既吓人又好玩
Like "creepshow."
就像《鬼作秀》
伊莱·罗斯
导演
"creepshow" was a horror fan's dream.
《鬼作秀》就是恐怖影迷的美梦成真
It still is.
现在依然是
It's the combination of george romero,
这是集结了乔治·罗梅罗
Stephen king, and tom savini.
斯蒂芬·金和汤姆·萨维尼的阵容
Me, as a 12-year-old horror fan,
在我还是12岁的恐怖迷时
Knowing that this was the director
得知就是这个人执导了...
Of "dawn of the dead"...
《活死人黎明》...
This was the guy that did all the gore
还有这个人负责制作了
In "dawn of the dead" and "Friday the 13th."
《活死人黎明》和《十三号星期五》的血腥
And stephen king writing these stories?
还有写过那么多故事的斯蒂芬·金?
This was gonna be the greatest movie ever made.
这一定是有史以来最伟大的电影
斯蒂芬·金
作家
Well, my first thing with george was he said,
我和乔治见的第一面他就说
"why don't we do a number of stories
“要不我们拍几个小故事”
Like 'tales from the crypt'?"
就像《魔界奇谭》那样?
And I went, "yeah, let's--let's do that."
于是我说“好啊,我们就这么办”
It's a comic book. What?
- 这是本漫画书 - 什么?
It's a comic book! It's a comic book!
- 这是漫画书! - 漫画书!
look.
看啊
Because really, what is a comic book?
说到底,什么是漫画书?
It's a storyboard for a movie, right?
就是一部电影的故事板,对不对?
"creepshow" is presented
《鬼作秀》的呈现方式
Like an ec comic book from the 1950s,
就像是一本五十年代的*EC漫画
*美国40-50年代流行的一部以恐怖,犯罪,黑童话,科幻和讽刺漫画为主的漫画杂志
With five macabre stories...
收录了五则毛骨悚然的故事
And an all-star cast.
以及全明星的卡司
Stephen king himself
斯蒂芬·金本尊出演
Plays the doomed hayseed, jordy verrill.
饰演厄运缠身的乡巴佬乔迪·威尔
I'm a goner already, daddy...
我已经活不成了,爸爸...
Ain't I?
是不是?
Each story was a moral tale
每则故事都是一则寓言
In which sinners were rewarded with ironic deaths,
每个故事里的罪人都以讽刺的方式死去
And sometimes, ironic afterlives.
甚至有些人死后也不得安宁
The teenaged greg nicotero was a frequent visitor
年轻的格里高利·尼克特洛时常
格里高利·尼克特洛
执行制片人 代表作《鬼作秀》(剧版)
To the "creepshow" set.
拜访《鬼作秀》的片场
I remember seeing them shooting the actors
我还记得他们朝着演员
With the colored lights in the background.
在背景里打彩色的灯光
I got my cake.
我拿到蛋糕了
All of a sudden, like, there's a bunch of guys
突然之间又有一帮人
On dimmers, and they'd go...
在调光器上...
[screaming] happy father's day.
父亲节快乐
Then they would turn it and the lights would change.
他们一转动,光线就变了
They were trying to immerse you into the comic book world.
他们让你沉浸到这个漫画一样的世界里
One of my favorite stories is "the crate,"
我最喜欢的故事之一是《板条箱》
Where a henpecked college professor
一个惧内的大学教授
Comes into possession of a vicious animal...
获得了一头凶悍的动物...
With a thirst for human blood.
却渴望着人类的鲜血
I don't even know what it was.
我甚至不知道这是什么
And it's hal holbrook and fritz weaver
有哈尔·霍尔布鲁克和弗里茨·韦弗
And adrienne barbeau and this old crate,
阿德里安娜·巴比欧还有这个旧箱子
And you're just waiting for fluffy.
万事俱备,只等怪兽
I remember, as a kid, I read "fangoria" magazine
我还记得小时候读《Fangoria》杂志
And I saw pictures
会看到一些图片
Of the monster that they called fluffy.
上面是被人们称作“毛毛”的怪物
And when that thing comes out of the crate...
当那东西从板条箱里出来时...
The fun is inventing how to do this stuff.
个中乐趣就在于特效上的创新
汤姆·萨维尼
特效化妆师 代表作《鬼作秀》
You know, the script, kind of, is sometimes very vague.
剧本上有时非常语焉不详
"we see a flash of fur and teeth."
“只见皮毛和利齿一闪而过”
Well, I gotta create a creature from that
我得根据这个创作出一只
That comes out of a crate
从箱子里爬出来的生物
Underneath steps in "creepshow," you know?
而且与《鬼作秀》的风格相符
Something shiny.
有东西亮晶晶的
I had never built an animatronic creature before.
我以前从未制造过机械生物
罗伯·博汀
特效化妆师 代表作《破胆三次》
So I called rob bottin on the phone.
于是我给罗伯·博汀打了电话
Took me to his house.
他带我去到他家里
He tore the skins off to show me
他把模型的外皮扯掉
How the mechanisms worked in the heads,
一个他正在制作的假人头
The fake heads that he was making.
来向我展示内部的机械结构
As great as "the crate" is,
尽管《板条箱》非常伟大
Nothing quite prepares you for e.G. Marshall's performance
你永远无法预料到E.G.马绍尔的表演
As upson pratt.
厄普森·普拉特
"this is upson pratt, the upson pratt."
“这是如假包换的厄普森·普拉特”
Well, I found another cockroach this evening, george.
今晚我又找到一只蟑螂,乔治
Oh, no.
哦不
One of those big ones
是那种大个的
Right here in my $3,200-a-month penthouse apartment.
就在这间月租三千美元的顶层公寓里
Upson pratt is a wealthy and vicious germaphobe
富有又恶毒的厄普森·普拉特患有细菌恐惧症
Who treats everyone like vermin.
而他视所有人为蝼蚁
You might go far, boy.
你有些越界了,小伙子
I've noticed that, in service jobs,
我注意到在服务工作者中
People like yourself often do--
像你一样的人经常这样...
People of color.
你这种有色人种
You know, the marshall story does represent
马绍尔的故事确实代表了
迈克尔·道赫蒂
导演 代表作《哥斯拉 II: 怪兽之王》
A lot of the sociopolitical things
当时所出现的许多
That were going on at the time, you know,
社会政治方面的事情
With him being a blatant racist character
他这种明目张胆的种族歧视角色
Who is trying to live
想要住在一个
In this sort of protected white bubble, literally,
毫不夸张地说,一个纯白的保护球里
In his compound,
他的据基地
And he's terrified
而且他害怕
Of other things getting into that world.
有别的东西侵入他的小世界
Damn bugs--ugh!
该死的虫子...啊!
Bugs!
虫子!
Now you'd have a digital cockroach.
现在可以用CG做蟑螂
Back then, you really had to do it with cockroaches.
但是当年只能用真的蟑螂来拍
They were everywhere, eli! Yeah.
伊莱我跟你说,它们到处都是!
Those cockroaches were everywhere.
这些蟑螂无处不在
And when we did the final scene, where the b--
我们拍到最后一场戏...
He just sort of explodes with bugs all inside him--
在他爆体身亡涌出大堆蟑螂那里...
Everybody was, like, right--
所有人都很...
Nervous, scared to death.
紧张害怕到极点
It could be one take. Yeah.
这只能一条过
That's the only thing you could do.
当时只能这样
There were, like, 5,000 cockroaches
这里有大概五千只蟑螂
And they were gonna blow 'em through this--this tube.
要把它们从一根管子里喷出去
Quiet on the set,
片场一片寂静
Get the cockroaches ready.
把蟑螂准备好
you know, cue the cockroaches.
示意蟑螂出场
And it was perfect
整个过程完美至极
And everybody in the place just exploded into applause.
现场的每个人都爆发出欢呼
It's one of the--
这是...
It's one of the great, great moments in movies.
这算是电影史上最伟大的一刻
"creepshow" was-was way ahead of its time
《鬼作秀》对于那个时代非常超前
In terms of george and steve king's
可以说是罗梅罗和金神
Sort of love letter to ec comics.
写给EC漫画的一封情书
Doing "creepshow" really was--was their opportunity
制作《鬼作秀》是他们
To pay tribute to the stuff that inspired them.
对自己的初心致敬最好的机会
In "creepshow,"
在《鬼作秀》中
Bad people are punished with gruesome deaths.
坏人们都以惨烈的死亡而受罚
The violence upset audiences
这些暴力让一些
Expecting a lightweight comic book movie,
抱着轻松愉快心情的观众所不悦
But to really upset americans,
但如果真想让美国人不悦
Do what brian de palma did:
那就像布莱恩·德·帕尔玛这样：
Make a horror film about sex.
拍一部以性为主题的恐怖片
导演：布莱恩·德·帕尔玛
《粉红色杀人夜》(1984)
Few things provoke audiences more
能激起观众强烈反应的主题很少
Than sexual violence.
性侵犯暴力算一个
It's a taboo region
这是个禁忌话题
That horror films are uniquely able to explore
但唯独恐怖电影可以探索
Because horror goes where the timid fear to tread.
因为恐怖电影敢于涉足最敏感的恐惧
And even a comically bad slasher
即使一部夸张廉价的砍杀电影
Can carry a surprising message about toxic masculinity.
也可以承载针对大男子主义的意外寓意
Where did this filth come from?
这东西是哪来的?
导演：胡安·皮克尔·西蒙
《碎块》(1982)
"pieces" is one of the greatest wtf horror films
《碎块》是“什么鬼”恐怖电影中
伊莱·罗斯
导演
Of all time.
最伟大之一
For me, it might be
对我来说这可能是
My favorite horror movie of all time
我所有恐怖电影中这么多年来
After all these years
最爱的一部
Because it just defies every rule
因为它违背了所有规则
Of what you're supposed to do.
所有你认为合理的做法
It is so absurd
它如此荒诞
That, if you put it on with a room of people,
如果你给一场观众放映
You will guarantee to have
保证整场观众
The whole audience come out of it going,
在散场时都会认为
"that's the best movie I've ever seen."
“这是我看过最棒的电影”
克里斯·哈德维克
主持人 代表作《闲话行尸》
Horror is the genre that gave us the idea of bad-good.
恐怖片让人感受到了烂片的好
Like, there can be a really great horror movie,
比如一部恐怖电影可以非常优秀
And that's fun to watch, but a really bad horror movie
让人看得很开心,但一部非常烂的恐怖电影
Can be fun to watch too.
也可以让人看的很开心
Bastard!
混蛋!
Bastard!
混蛋!
The plot of "pieces" follows a campus stud
《碎块》的故事跟随一个校园情圣
And an undercover policewoman
和一个卧底女警察的视角
Trying to catch a mysterious chainsaw killer.
想要抓住一名神秘的电锯杀手
It's got all the classic tropes of slasher movies.
它囊括了所有砍杀电影的经典桥段
You!
是你!
They have these beautiful spanish girls
电影里出现了美丽的西班牙女孩
That always get naked right before they're chopped.
在被碎尸万段前总是碰巧赤身裸体
The deaths are so over-the-top.
死亡场景也做得非常夸张
At the end of the film,
在电影结尾
The police catch the killer
警察抓住了杀手
And they're about to leave
大家都要离开时
And they open the door and the body falls out.
他们打开门,尸体迎面倒下来
And you realize
你才意识到
This guy's been making a human jigsaw puzzle.
凶手做出了一个人形拼图
It's an incredible shock moment.
这是个绝妙的惊吓桥段
And then at the very end,
在电影的最后
Ian sera comes back 'cause he forgot his coat
男主角回来取落下的外套
And the hand of the body comes out
结果尸体的手突然伸出
And just rips his genitals off.
把他的生殖器扯了下来
You can watch the movie on one level
你可以站在浅显的角度看电影
And go, "this is a grade-z slasher movie."
并说“这是一部限制级砍杀电影”
Or you could say,
又或者你可以说
"this is a subversive work of art
“这是一部颠覆性的艺术佳作”
"by a master director who's making a comment
“这位伟大的导演以这个角色”
On this character who uses women like pieces of meat."
“讽刺那些对待女人如刀俎鱼肉的人”
These girls are then killed
这些女孩继而被害
And the body... Is the residual anger.
而尸体...就是她们残存的怒火
The anger of these girls
这些女孩的怒火
And the resentment of these girls
还有被这个家伙利用
Of being used by this guy all boils up
所积攒的怨念都沸腾了
And they castrate him at the end of the movie.
于是她们在影片结尾将他阉割了
You don't expect great depth
像《碎块》这种电影
From a movie like "pieces."
没人期待会有什么深度
More confounding to critics is when a brilliant filmmaker
更让影评人受不了的是一位电影名家
Deliberately challenges an audience
故意挑战观众的承受能力
By fusing sex and violence with high cinematic style.
将性爱与暴力以高度的风格化融合
Exhibit a: Brian de palma's "dressed to kill,"
示例之一就是布莱恩·德·帕尔马的《剃刀边缘》
A provocative film
一部充满挑衅的电影
About the corrosive effects of sexual repression.
讲述了性压抑所带来的恶果
"dressed to kill" is an interesting juxtaposition
《剃刀边缘》并行讲述了
布莱恩·富勒
编剧/导演 代表作《汉尼拔》
Of two women's expression of their own sexuality--
两位女性对自身性欲的压抑
One being a conservative housewife
一位是保守的家庭主妇
Who is oppressed by her sexuality
被她自己的性欲所压抑
And one being a young sex worker
另一位是个年轻的性工作者
Who is empowered by her sexuality--
因为自己的性欲而强大
And the man who is a psychiatrist
还有一位男性心理学家
Who is his own worst patient
自己就是最重症的患者
Who's trying to draw the bridge
他想尽办法去
Between his own relationship with his sexuality
在他对于这两名女性的关系和性欲之间
And these two women.
架起桥梁
Sexually frustrated kate,
性生活受挫的凯特
Played by angie dickinson,
由安吉·迪金森饰演
Acts the part of the perfect wife and mother,
尽力扮演完美妻子和母亲的角色
But she yearns for a more stimulating life.
但她内心渴求着更刺激的人生
Kate confides her feelings to her psychiatrist,
凯特承认了对心理医生的感觉
Arousing his own secret desires.
却勾起医生私密的欲望
Would you want to sleep with me?
你愿意和我睡吗?
Yes.
愿意
Then, in a shocking twist,
然后出现了令人震惊的转折
Kate is brutally murdered
凯特被一个神秘的
By a mysterious black-gloved killer...
戴黑手套的杀手残忍谋杀...
A crime witnessed by the movie's other heroine,
而犯罪现场被电影的另一个女主角目击
Liz blake, played by nancy allen.
南希·艾伦饰演的丽兹·布雷克
I think my nightmares on "dressed to kill"
我认为我对《剃刀边缘》的噩梦
Really started when they did the...
是从他们这段戏开始的...
南希·艾伦
演员 代表作《剃刀边缘》
It's so strange because it's all so technical.
奇怪的是一切都是技术性的
But emotionally,
但是在感情上
It really does-somehow, it gets in.
它以某种方式...深入脑海
At least with me, it gets back in there.
至少对我来说是的
Maybe it's all "psycho's" fault for making me so scared.
也许我会害怕都是《惊魂记》的缘故
Alfred hitchcock's "psycho"
阿尔弗雷德·希区柯克的《惊魂记》
Famously kills off its protagonist
以在电影开始后半小时
More than half an hour into the film.
杀死了女主角而闻名
《惊魂记》(1960)
《剃刀边缘》(1980)
"dressed to kill" both updates and parodies "psycho."
《剃刀边缘》既致敬又戏仿了《惊魂记》
De palma turns the trail blazed by hitchcock
德·帕尔玛将希区柯克开辟的道路
Into a slyly satirical boulevard,
拓宽为狡黠讽刺的宽阔大道
Going places hitchcock couldn't in 1960.
去到希区柯克在1960年无法触及的领域
The second half of "dressed to kill"
《剃刀边缘》的下半部分
Is a detective story
是一个侦探故事
Led by two amateur sleuths:
由两名业余侦探进行调查
Liz blake and kate's adoring son peter,
丽兹·布雷克和基斯·戈登饰演的
Played by keith gordon.
凯特可爱的儿子彼得
Every scene is enhanced
每一个场景都因为
By de palma's vast knowledge of film technique.
德·帕尔玛丰富的电影技巧无限放大
基斯·戈登
演员 代表作《剃刀边缘》
Obviously, the story involves
显然这个故事包罗了
A lot of double and mirror and two people looking alike
许多双重镜像或者两个相似的人
And, you know, having two personalities and splits.
还有就是拥有分裂的两个人格
Really good visual directors will find themes
优秀的视觉系导演会抓住主题
And then they'll continue to find places to inject it
并且连续找到能够植入主题的位置
Where maybe they hadn't even planned ahead of time,
也许甚至是没有提前计划好的桥段
But they keep seeing opportunities.
但他们会不断找到切入点
When I speak of transsexuals,
当我提到跨性别时
I tend to speak of male-to-female
更多时候是在谈男变女
Because there are a whole lot more of them
因为比起另一种跨性别
Than the going the other way.
这种要常见得多
The scene I remember the most is the television
我印象最深的场景就是电视那里
Where donahue is interviewing someone
主持人在采访着什么人
And michael caine is watching it.
迈克尔·凯恩就在一边看着
Just the--the lighting, the way it's photographed,
那光影的形式,摄影的方式
And as kid, split screens drive me crazy.
在我小时候,分屏让我疯狂
You're like, "what am I supposed to watch?
我会觉得“我应该看哪边啊? ”
What am I supposed to watch?"
“我到底该看什么啊? ”
But you just sort of give over to it.
但最终你会妥协
It's got a very, very interesting effect
这会对观众产生一种非常
On the audience.
非常有趣的效果
More than that, I've always been a devout heterosexual.
除此之外,我一直是个忠实的异性恋
The interview with the transsexual woman
那场对于跨性别女性的采访
Signals to the audience that kate's psychiatrist,
对观众发出信号表明凯特的心理医生
Played by michael caine...
由迈克尔·凯恩饰演...
Is also the killer.
就是杀手
The cinematography is absolutely gorgeous.
电影的摄影真是精妙至极
It's breathtaking.
实在激动人心
亚历珊德拉·毕林思
演员 代表作《透明家庭》
So it's unfortunate
但不幸的是
That l--it sits on a foundation of transphobia
电影是建立在跨性别恐惧的基础上的
In a really big way, in a really blatant way.
而且是以一种非常露骨的方式
It played into a lot of clichés.
其中有许多老套桥段
I mean, there were, you know--
里面还有那些...
Trans people as being weird,
跨性别者总是奇奇怪怪的
Being dangerous, being other, being crazy.
总是危险的,像是异类,疯疯癫癫
Because "dressed to kill" came out at a time
因为《剃刀边缘》所在的时代
When trans people were still thought of as illegal,
跨性别依然被视为违法行为
Making us murderers made perfect sense.
将我们塑造为杀手就变得十分合理
It wasn't a big stretch
这看起来挺合理的
To think that we would go from jail to killing someone.
我们不是进监狱就是要杀人
I don't think that's what brian's intention
我不认为德·帕尔玛
Of making the film was about.
创作这部电影用意在此
Doesn't mean it's cool.
但不代表这不厉害
I mean, you know, I mean, that part of the film,
我是说,电影的这个部分
I feel like yeah, that has not dated well.
我感觉不太符合时代
In 1980,
在1980年
Far more people were upset by the character of liz blake,
让更多人不屑的是丽兹·布莱克的角色
A sex worker the movie never judges or shames.
一个电影中从未被羞辱的性工作者
Well, hi.
你好啊
I'm liz from the escort service.
我是应招女郎丽兹
I love liz blake.
我非常喜欢丽兹·布雷克
She's smart. She has a sense of humor.
她冰雪聪明,有幽默感
She's comfortable with her sexuality.
她对自己的性爱感到很自在
She's not afraid of it
她对此并不惧怕
Or feels like she has to cover it up.
或者觉得自己需要掩饰
She just--she's a free s-kind of free spirit.
她就是...有着逍遥自在的灵魂
Do you think you could put together
你觉得你能抽空
A--a coffee break and a hot lunch?
一起喝个咖啡吃顿午餐吗?
For tomorrow?
就明天?
Yeah, I need a thousand dollars for my mother's operation.
是的,我需要为我妈妈的手术攒够一千块
Which was somewhat reflective of my own personality,
也在某种程度上反映了我自身的个性
But not completely, you know?
但并不是全部
I am a child of the '50s.
我是50年代生的
So I do have that repression.
所以我还是有所压抑的
[chuckles] liz still lives in me a little bit.
现在我依然带着点丽兹的影子
Thank god straight (bleep)s are still in style.
感谢上帝现在还是直男当道
That's why the film doesn't smack of misogyny to me--
这也是我觉得电影没有厌女倾向的原因...
Because it feels like
因为这就像是
Brian de palma trying to understand
布莱恩·德·帕尔玛试图搞清楚
Why people are so hung up on their sexuality.
为什么人们如此介意自己的性欲
And it is designed to get you
这也是为了让你们
To question your own relationship
对于自己性欲之间的关系
With your sexuality.
扪心自问
In the hands of a master,
在大师的手中
Graphic scenes of violence become stylish explorations
直白的暴力场面变为了对电影语言的
Of the language of cinema,
风格化探索
But film can also be a blunt instrument...
但电影也可以单刀直入
Using violent horror
利用激进的恐怖情节
To make us face the worst parts of ourselves.
让我们直面人类最黑暗的一面
导演：卢西奥·弗尔兹
《生人回避》(1979)
My great love is italian horror.
我最大的喜爱就是意大利恐怖片
Italian horror, as opposed to american horror--
意大利恐怖片相对于美式恐怖片来说
They're like horror movies with no rules.
就像是没有底线的恐怖电影
There were no limits on gore.
完全没有对血腥程度的限制
导演：马里奥·巴瓦
《血与黑蕾丝》(1964)
In the '70s and '80s,
在七八十年代
Directors like mario bava, lucio fulci,
像是马里奥·巴瓦,卢西奥·弗尔兹
And dario argento...
还有达里奥·阿基多...
导演：达里奥·阿基多
《恐怖歌剧》(1987)
Took the conventions of horror
直面恐怖电影的争议之处
And dialed them up to operatic intensity.
并将其推向歌剧般的紧张冲突
They didn't know you weren't allowed
他们不知道你允不允许
To have eyeballs exploding and eviscerations,
展现眼球爆炸或者内脏切除的画面
Whereas american movies or canadian movies like "scanners"
《夺命凶灵》那种美国加拿大电影
导演：大卫·柯南伯格
《夺命凶灵》(1981)
Had one big moment or a couple of big moments.
只有少数几个过激的大场面
The italian movies,
而意大利电影中
It's just like one after another after another.
就是一个接一个接一个的来
Dario argento's debut film,
达里奥·阿基多的处女作
"the bird with the crystal plumage,"
《摧花手》
Took the brutal italian crime genre called giallo...
将名为“铅黄”的意大利犯罪电影类型
And turned it into high art.
变身成为高端艺术
So there was certain tropes you had to follow
铅黄电影中有几条规则
For it to be a giallo.
需要遵守
You had to have red herrings.
电影中要有障眼法
You had to be guessing who the killer was the whole movie.
观众必须一直猜测谁才是凶手
The killer had to wear gloves.
而且凶手一定要带着手套
Dario argento rewrites the rules
达里奥·阿基多凭借《摧花手》
With "the bird with the crystal plumage."
成功改写了游戏规则
It's got all of the signature things
它包含所有阿基多的
From argento and the most fantastic score by morricone.
...标志性元素,还有莫里康内绝妙的配乐
The black-gloved killer--
黑皮手套杀手...
That, most of the time, was dario argento's hands
其实大部分时都是阿基多的手
'cause it had to be done right.
因为动作一定要到位
Penetrating the victim with a knife...
用一把刀子将被害者刺穿...
But very, very stylish.
但是非常有型
"bird with the crystal plumage" really announces
《摧花手》宣布了
The era of the modern horror film...
现代恐怖电影时代的开启
导演：布莱恩·德·帕尔玛
《剃刀边缘》(1980)
And was a big influence on brian de palma.
而且对布莱恩·德·帕尔玛产生了强烈影响
You look at "dressed to kill"
如果仔细看《剃刀边缘》
《摧花手》(1970)
《剃刀边缘》(1980)
And you look at "bird with the crystal plumage"--
再看《摧花手》
You could put the movies on top of each other.
几乎可以将两部电影重叠
But the most groundbreaking,
但是最具有突破性
Provocative italian horror film of all time...
最挑战人下线的意大利恐怖电影...
Is ruggero deodato's "cannibal holocaust."
就是鲁杰罗·德奥达托的《人食人实录》
Deodato apprenticed under two master directors,
德奥达托受教于两名大师级导演
Sergio corbucci and roberto rossellini.
赛尔乔·科尔布奇和罗伯托·罗西里尼
导演：罗伯托·罗西里尼
《罗马,不设防的城市》(1945)
Think of the violence and the realism
试想《罗马,不设防的城市》中
Of "rome, open city"...
那些近乎真实的暴行...
Mama! Mama!
妈妈! 妈妈!
导演：赛尔乔·科尔布奇
《伟大的寂静》(1968)
And the violence and politics of corbucci's films.
还有科尔布奇电影中的暴力与政治
And you combine them and you get ruggero deodato.
将这些结合便得到了鲁杰罗·德奥达托
You're about to witness an ancient ritual
你将目睹一场古老的仪式
Never before seen by civilized man.
此前从未有明文世界的人目击
And that's why "cannibal holocaust" is so effective.
这也是《人食人实录》有感染力的原因
It's no accident.
这绝非巧合
导演：鲁杰罗·德奥达托
《人食人实录》(1980)
Today is, uh, Saturday the 25th.
今天是周六,25号
If I were in new york right now,
如果我现在在纽约
I'd probably be out shopping.
我大概正在出门购物
"cannibal holocaust" is the first
《人食人实录》是首部
Kind of found-footage movie.
有点像伪纪录形式的电影
"cannibal holocaust" starts out
《人食人实录》的故事开始于
With a group of documentary filmmakers
一队纪录片拍摄团队
Who went down to the jungles of the amazon
进入到亚马逊丛林深处
鲍勃·穆拉夫斯基
剪辑师 代表作《堕入地狱》
To make a movie about cannibals and never returned.
想要拍摄食人族的影像却从此失踪
"cannibal holocaust" Are they still alive?
他们还活着吗?
And if so, where are they?
如果活着,他们在哪里?
They've disappeared
他们消失了
And we don't know what happened to them,
我们不知道他们发生了什么事
So then professor monroe goes through
于是门罗教授开始动身
And kind of retraces their steps
回溯他们的行迹
And finds all these clues
找到了各种证据
Until he finally finds the skulls of the people,
直到他找到了人类的骸骨
And they're dead and there are all the film cans there.
摄制组已经死了,身边还有很多影像胶卷
okay.
好吧
The second half of the movie
电影的后半部分
Is him back in new york city, watching the footage,
是他回到纽约,观看录像
And what he sees is shocking.
而他所见到的骇人听闻
You know this is gonna make us famous.
你知道这会让我们出名的
Yeah, you think so, huh?
你这么觉得吗?
Yeah. How famous?
- 没错 - 有多出名?
Real famous and real rich.
特别出名,特别有钱
die!
去死吧!
But professor monroe discovers
但最终门罗教授发现
That it wasn't that these documentary gr--filmmakers
并不是这些纪录片摄制组成员
Were preyed on by cannibals and eaten by cannibals.
被食人族所追杀而吃掉
They were actually the manipulators.
事实上他们才是幕后黑手
Deodato has said the film was a reaction
德奥达托表示这部电影是
To the media's sensationalized coverage
对媒体关于意大利恐怖分子耸人听闻的报导
Of italian terrorists.
所做出的反应
But for many viewers,
但对许多观众来说
The political message was overshadowed
其中暗含的政治信息被
By the film's extremely realistic violence.
极具真实感的血腥暴力所掩盖了
Everyone thought "cannibal holocaust" was real,
所有人都以为《人食人实录》是真的
And this was years before "blair witch."
而且这比《女巫布莱尔》早多了
"cannibal holocaust" was so shocking
《人食人实录》如此震惊四座
That ruggero deodato was brought up on murder charges.
以至于鲁杰罗·德奥达托被指控谋杀
But when he actually ended up in court,
但当他最终出庭时
Deodato was acquitted on the--the human killing
德奥达托被判无罪释放
Because he actually brought out the actors and said,
因为他把那几个演员都带来了
"okay, you-you think these guys are dead.
“行吧,你们说这几个人死了”
Here they are."
“他们就在这呢”
导演：伊莱·罗斯
《绿色地狱》(2015)
"cannibal holocaust" deeply affected me,
《人食人实录》对我产生深刻影响
So much so that I had to make my own cannibal movie.
影响之深让我拍了自己的食人族电影
The documentary
《人食人实录》中
That the kids in "cannibal holocaust" are making
几个孩子制作的那部纪录片
Is called "the green inferno."
叫做《绿色地狱》
So I named my movie "the green inferno"
于是我就给我的电影命名为《绿色地狱》
As a nod to "cannibal holocaust."
作为对《人食人实录》的致敬
This was the feature-film version of that.
这就是它的长片电影版
Some artists are compelled
有些艺术家们被迫
To challenge their audiences, but how far is too far?
挑战他们的观众,但什么程度才算越界?
For me, "cannibal holocaust" is right at the edge.
对我来说,《人食人实录》就刚好在底线
For others, it's way over it.
对其他人来说,这已经太超过了
I really think it's a movie that is so offensive
我真心认为这部电影如此挑战下线
And so horrific
如此恐怖骇人
And really has something to offend everybody.
而且能够在方方面面惹怒所有人
It's supposed to be shocking.
它本就应该如此震撼
You're not supposed to just watch it
观众不应该单纯地看完
And then move on to something else.
之后继续自己的平常生活
You know,
你知道
If you can get through "cannibal holocaust,"
如果你能撑过《人食人实录》
You see some of the most incredible,
你就看到了最难以置信
Incredible filmmaking ever.
最伟大的电影
Horror is where our nightmares come to life.
在恐怖片里我们的噩梦成真
It reveals humanity at its best and its worst...
这揭示了人性的最美好和最恶毒...
What we desire and what we dread,
我们的渴望和我们的恐惧
Who we are...
我们的本质...
And what we're afraid we might be.
还有我们害怕自己会变成的样子
If we have the courage
如果我们有勇气
To face our nightmares,
面对我们的梦魇
We can conquer our deepest fears.
我们就能征服最深层的恐惧